SA-10MT-PW – Pair of Powered 2-Way 10″ Floor / Stage Monitors Wedge Style with Titanium Horns

The SA-10MT-PW powered floor monitors deliver the stage monitoring that performing musicians, DJs, and live sound engineers need to hear themselves clearly in any venue. This matched pair of wedge-style monitors puts 250 watts RMS of clean power behind 10-inch woofers and titanium compression drivers.

Each monitor produces 121 dB maximum SPL with full-range frequency response from 40 Hz to 20 kHz, giving you the vocal clarity and low-end punch essential for professional stage monitoring. The built-in Class D amplifier eliminates the need for separate power amps while the 2.7 kHz crossover point ensures smooth transition between the 10-inch woofer and 1-inch compression driver.

The onboard 2-band EQ lets you dial in treble and bass to match your stage sound, while the MIC/LINE switch accommodates different signal sources. Daisy-chaining capability means you can link multiple monitors from a single mixer send. The rugged MDF construction with 5/8-inch plywood front baffle and full metal grille handles the demands of regular gigging.

These monitors work well for bands playing clubs and theaters up to 500 people, church worship teams, DJ setups, and studio tracking rooms. The wedge design provides proper monitor angle whether placed on stage floors or stands.

Connect via XLR combo inputs with XLR pass-through outputs for daisy-chaining. Each monitor also accepts 3.5mm auxiliary input for direct connection from phones or tablets. Universal power supply works with 110-240V for international touring.

Seismic Audio backs these monitors with a one-year warranty and ships nationwide. Professional monitoring power at a price that won’t break your gear budget.

Technical Specifications

Frequently Asked Questions

How many people can these monitors cover for stage monitoring?

These monitors work well for venues up to 500 people when used as stage monitors for bands or solo performers. The 121 dB maximum SPL provides enough output to cut through typical stage volume levels. For larger venues or outdoor festivals, you may want to consider additional monitors or higher-powered models.

What cables do I need to connect these monitors?

You’ll need standard XLR cables to connect from your mixer’s monitor sends to the monitors’ XLR combo inputs. The monitors include XLR pass-through outputs, so you can daisy-chain multiple units with additional XLR cables. The 3.5mm input lets you connect phones or tablets directly without adapters.

Do I need a subwoofer with these floor monitors?

Most stage monitoring applications won’t require a subwoofer since these monitors extend down to 40 Hz and focus on vocal and instrument clarity rather than deep bass reinforcement. However, if you’re using them for DJ monitoring or tracking bass-heavy music, adding a subwoofer can enhance the low-end response for more complete monitoring.

Can I use these as main PA speakers instead of just monitors?

While these are designed primarily for stage monitoring, they can work as main speakers for small venues like coffee shops, small bars, or acoustic performances up to 100 people. For larger crowds or full-band PA applications, dedicated main speakers would provide better coverage and power handling.

How do I set the EQ controls for best monitoring performance?

Start with the EQ controls at neutral (12 o’clock position) and adjust based on your stage sound. Boost the treble slightly if you need more vocal presence, or cut it if the monitors sound harsh. Adjust bass to compensate for stage acousticscut bass if the stage is boomy, boost slightly if you need more punch in the mix.