SAXLX-100 – Pair of White 100 Foot XLR Microphone Cables

Professional XLR microphone cables built for musicians, DJs, content creators, recording studios, churches, and theater production professionals who need reliable balanced connections across long distances. The SAXLX-100 delivers clean signal transmission for microphones, line-level equipment, and professional audio applications in demanding environments.

These balanced XLR cables handle professional audio signals with 22-gauge oxygen-free copper conductors that maintain signal integrity across the full 100-foot length. The heavy-duty rubber jacket protects against stage wear while remaining flexible enough for quick setup and breakdown.

Each cable features metal 3-pin XLR connectors (male to female) with proper shielding for superior RF rejection. The balanced design eliminates ground loop hum and electromagnetic interference that can plague unbalanced connections in complex PA setups. At 100 feet per cable, you get the reach needed for installations where mixing positions are far from the stage.

Perfect for connecting wireless microphone receivers to mixing consoles, running monitor feeds to stage wedges, or linking outboard processors in rack-mounted systems. The white jacket provides easy identification in cable runs and blends well with permanent installations in churches, schools, and performance spaces.

Each cable terminates with standard 3-pin XLR connectors that work with any professional audio equipment. No adapters needed the female connector plugs into your source output and the male connector plugs into your destination input.

Seismic Audio backs every cable with a one-year warranty. Ships ready to use with professional-grade construction at a price that fits working budgets.

Technical Specifications

Frequently Asked Questions

What’s the maximum distance these XLR cables can run without signal loss?

At 100 feet with 22-gauge oxygen-free copper conductors, these cables maintain professional signal integrity for microphones and line-level equipment. The balanced design with proper shielding prevents noise and interference even at this extended length. For most live sound applications, 100 feet represents the practical limit before you’d consider active signal boosting.

Can I use these cables for both microphones and line-level equipment?

Yes, these XLR cables work for microphones, line-level connections between mixers and processors, monitor feeds, and other professional audio applications. The balanced design and proper impedance characteristics handle mic-level signals from dynamic and condenser microphones as well as line-level signals between professional audio equipment.

How do these compare to shorter 25-foot or 50-foot XLR cables?

The 100-foot length provides maximum flexibility for installations where shorter cables won’t reach. Signal quality remains professional-grade thanks to the 22-gauge conductors and balanced design. Choose shorter lengths for smaller setups to reduce cable clutter and cost.

Can these audio XLR cables be used for DMX lighting applications?

While these cables will physically connect to DMX equipment, they’re not recommended for DMX applications. Audio XLR cables have 75-ohm impedance while DMX requires 120-ohm impedance for proper signal transmission. Using audio cables for DMX can cause signal reflections, data errors, and unreliable lighting control. For best results with DMX lighting, use cables specifically designed for DMX512 protocol.

Do these cables work with wireless microphone receivers and in-ear monitor systems?

Yes, the standard 3-pin XLR connectors work with wireless mic receivers, in-ear monitor transmitters, and any professional audio equipment with XLR inputs or outputs. The balanced design is particularly important for wireless systems to minimize RF interference and maintain clean audio transmission to your mixing console.